FAMOUS EPHEMERAL ARTISTS PORTABLE

Exploring ceremony: The archaeology of a Men’s meeting house (‘ Kod’) on Mabuyag, Western Torres Strait. In The Oxford handbook of the archaeology of the contemporary world, ed. The burning man festival and the archaeology of ephemeral and temporary gatherings. Sound reflection as an explanation for the content and context of rock art. Albuquerque: University of New Mexico Press. In Social skins of the head body beliefs and ritual in ancient mesoamerica and the andes, ed. Face painting among the classic Maya elites: An iconographic study. In Archaeological approaches to dance performance, BAR international series, ed. Patterns of change and continuity in ochre use during the late middle stone age of the horn of Africa: The Porc-epic cave record. Europe from the Palaeolithic to the future, ed. Body worlds and their history: Some working concepts. Bulletin de la Société Préhistorique Française 85 (8): 238–246. bridging material & living culture, Publications of the ICTM study group on music archaeology, ed. Membrane drums as cosmic symbols and shamanic portals in the Shell art of Spiro, a Mississipian mound site in Oklahoma.

Journal of Material Culture 14 (1): 5–27. Some problems with Gell’s Art and Agency. Human evolution, archaeology, and the origins of musicality. Oxford Journal of Archaeology 25: 317–333. Mousterian musicianship? The case of the middle Palaeolithic Divjebabe I bone. Un caso de Arqueología Experimental aplicado a la Arqueología Musical. Etude exploratoire des caractéristiques acoustiques et lecture symbolique. “Echo-graphie” intérieure du cairn de Gavrinis. Malanggan: Objects, sacrifice and the production of memory. Cambridge: Cambridge Scholars Publishing. In The study of musical performance in antiquity. Textual, Iconographical, and Archaeological Evidence for the Performance of Ancient Egyptian Music. Bridging material & living culture, Publications of the ICTM study group on music archaeology, ed. The Archaeoacoustics of sixth-century Christian structure: San Vitale, Ravenna. In Archaeology of performance: Theaters of power, community, and politics, ed. La música enterrada: historiografía y metodología de la arqueología musical. Social images through visual images: the use of drawings and photographs in the Western representation of the aborigines of Tierra del Fuego (southern South America), Public Archaeology, 4:2–3, 169–182.

FAMOUS EPHEMERAL ARTISTS PORTABLE

Making art, making society: The social significance of small-scale innovations and experimentation in Palaeolithic portable art. In The Oxford handbook of the archaeology and anthropology of rock art. Rock art, music, and acoustics: A global overview.

Carbondale: Southern Illinois University Press.ĭíaz-Andreu, M., and T. Toward a sensory archaeology, Centre for archaeological investigation, occasional paper, ed. Imagined Aromas and Artificial Flowers in Minoan Society.

Famous ephemeral artists